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Mayumi Itsuwa Premium best – HISTORY –
Mayumi Itsuwa Debut 50th Anniversary Website

Comments from Mayumi Itsuwa
on her 50th anniversary since the debut

Message to Mayumi Itsuwa

About the debut 50th anniversary

I debuted in October 1972 with "Shoujo", followed by "Ame" and "Tobacco no Kemuri", initially as the new music.

After that, to get myself out from a slump, I challenged myself to incorporate Kayokyoku elements to my songwriting, and I was able to expand the world by doing so.

My series of works such as "Koibito yo" spread to other Asian counties, which gave me great confidence. It was surprising that "Kokoro no Tomo" became a big hit spontaneously in Indonesia, and I was able to enjoy the situation and expansion.

Half a century has passed since my debut in 1972. With the support from many people, I was able to spend a meaningful time.

I am also grateful to all the fans who support me.

Thank you very much for your continuous support.

Mayumi Itsuwa

Mayumi Itsuwa Premium best – HISTORY –

The ultimate best album that summarizes

the 50-year history of Mayumi Itsuwa will be on sale!

Mayumi Itsuwa Premium best – HISTORY –

2022.10.21 on sale!

Product code:MHCL-30750~30753
Price (tax included): 5,500 JPY

The best album commemorating the 50th anniversary of Mayumi Itsuwa.
Since the debut in 1972, Mayumi Itsuwa has worked with many famous musicians including Carole King, Larry Carlton, and The Section, and later moved to France to expand her musical career.
From the debut to the present, the ultimate best album contains masterpieces from the 50-year history on 4 discs.
Songs released in France but was never released in Japan and songs that were included in the single will be made into CD for the first time, including NHK Minna No Uta "Tooi Machi" (on air February - March 1976), "Hoshi No Kodomo Tachi" (on air June - July 1998), and more.


<Track List>

●DISC1(1970~1977)

  1. Shoujo
  2. Ame
  3. Kinoumade no Omoide
  4. Tobacco no Kemuri
  5. Fuyuzareta Machi
  6. Harukaze
  7. Mr. Cloudy Sky
  8. Toki wo Mitsumete
  9. Sakeyoigusa
  10. Rakujitsu no Theme
  11. Tabiji
  12. Hontou no Koto wo Ieba
  13. Utsurona Ai
  14. Jungle Gym
  15. Tooi Machi
  16. Tokyo
  17. Aozora
  18. Paris no Ryojou

●DISC2(1977~1981)

  1. Umi
  2. Kiyoi Nagare no Youni
  3. Aoiro no Ame
  4. 19sai no Toki
  5. Sayonara dake wa Iwanaide
  6. Haru ni Saku Hana
  7. Nokoribi
  8. Hitohabune
  9. Aikagi
  10. Michi
  11. Ame no Naka no Futari
  12. Yakusoku
  13. Yasashisa wo Sonomama de
  14. Koibito yo
  15. Watashi no Kimochi mo Shiranaide
  16. Jealousy
  17. Sadame
  18. La photo graphie (from "Mayumi" released in France)
  19. Californie (from "Mayumi" released in France)

●DISC3(1981~1987)

  1. Revial
  2. Kamome
  3. Jigsaw Puzzle
  4. Towazu Tobacco
  5. Dakishimete (Aiwa Yumenoyoni)
  6. Yasei no Namida
  7. Kokoro no Tomo
  8. Lovely Day
  9. Amayadori
  10. Atsui Sayonara
  11. Sora
  12. Kaze no Uta
  13. Toki no Nagare ni - Tori ni Nare
  14. Nakanaide
  15. Haru Gokoro
  16. Soshite Sayonara
  17. Wind and Roses
  18. Spring Nostalgia (from live album "Shunshuu")
  19. Shihori (from live album "Shunshuu")

●DISC4(1988~2022)

  1. Hello My Friend
  2. Nostalgie
  3. Wasuretakunai Koi
  4. Sayonara wa Ichido dake
  5. Itsumo Soshite Itsumademo
  6. Kanashimi ni Makasete
  7. Utakata
  8. Koi wa Totsuzen ni
  9. Toki wa Sugite
  10. Hoshi no Kodomotachi
  11. Ai no Yakusoku
  12. Kokoro no Uta
  13. Try To Remember
  14. Fureau Toki wo Shinjite
  15. Shoujo (New Version)
  16. Born Again
  17. Kokorono Tomo (Mayumi Itsuwa solo version)

Message to Mayumi Itsuwa

森山直太朗

Naotaro Moriyama

Her singing voice that I heard from CRT TV had a shadowy side. When she shouted, her voice pierced the darkness. I was only five at that time, and like a trauma she stole my heart.
It was not until a little later that I came to know "Shoujo" and "Sayonara dake wa Iwanaide". Strong and unwavering pitch reflects her inner strength, and her delicate vibrato tells the womanly side of her. I know no other singer who can depict such a gentle and dry image in her writing (lyrics).
Congratulation on the 50th anniversary from the bottom of my heart.

Iruka

Iruka

I'd say you and I are real colleagues!
We've both worked so hard to get to this point!
We're both same age and from same hometown, Nakano, and having someone with similar background is extremely rare now!
You also joined the concert I had as a goodwill ambassador for the IUNC (International Union for Conservation of Nature and Natural Resources). We practiced together in my office, just the two of us, in a cozy atmosphere!
We snacked while we practiced! I was so happy!
Anyway, I have always loved your voice!
I look forward to the day when we can sing together again.
In a cozy atmosphere just like the old times!
Congratulations, Itsuwa-chan!
From Iruka

Motoki Funayama

Motoki Funayama

Congratulations on your 50th anniversary of your career in music!

We started working together in 1980.
Unlike today, we would not know how of the arrangement of a song would turn out until the musician played it.
Therefore, there were often disputes in the studio if the arrangement differed from what was expected.
However, no matter what kind of arrangement I made, you would immediately make it your own.
I recall with nostalgia how I was overwhelmed every time we recorded, seeing how everything became Mayumi Itsuwa's music when you sang.

I am often asked, "Out of all songs arranged by Motoki Funayama, which is my favorite?" The answer is always "Koibito yo".
It is one of the most important songs in my musical career. It has not faded away even after 40 years have passed.
I wish I could make another work like "Koibito yo" with you.
Such thought is building in my heart now.

Motoki Funayama

Shinichiro Azumi

Shinichiro Azumi

Congratulations on the 50th anniversary of your debut.
My mother always played your song in the car.
I was a junior high school student at that time, she was driving me home from my private tutoring class. We didn't have much conversation in the car, so I focused on your songs.
We drove the dark roads of winter.
Looking back at it now, it was a very solemn listening time.

I am proud of the fact that I listened to your music during susceptible period of adolescence.

Shinichiro Azumi

Leland Sklar

Leland Sklar

Dearest Mayumi,
It is so hard to believe that you are going to be celebrating your 50th anniversary of your wonderful career in music. It was such a joy for me to have had the opportunity to play music with you back in the early days of both our careers. I have a photograph of us playing live in my music room and see it every day and it makes me smile and happy. Wishing you all the very best always and look forward to seeing you again next time I come to Japan.

Leland Sklar

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